India’s textiles at London college of fashion
What began with an exploration of India’s textile heritage has now transformed into a vibrant exchange of ideas, creativity and contemporary interpretation.
Over the five-day module, students have immersed themselves in the creative process—from understanding the cultural context and visual language of Srikalahasti Kalamkari to experimenting with its traditional hand-painting techniques and translating them into their own creative expressions. The studio has become a space where heritage meets imagination, with students from different backgrounds bringing their own perspectives to an age-old Indian craft.
Led by Master Craftsman Niranjan Jonnalagadda, renowned Kalamkari artist from Srikalahasti, alongside Prof. Dr. Smriti Yadav and Dr. Upinder Kaur, the sessions have encouraged students to look beyond technique—to understand the stories, symbolism, patience and craftsmanship embedded within every line, motif and colour.
From their first tentative strokes to increasingly confident compositions, their curiosity, excitement and willingness to experiment have made the studio sessions truly dynamic. Traditional Kalamkari is being reimagined through fresh creative minds, resulting in interpretations that are as diverse as the students themselves.
Adding to the enthusiasm was a visit by Abhinov Asokan, Co-Founder of HARRI and an alumnus of both NIFT and LCF, who spent time with the students, encouraged their creative exploration and shared insights from his own journey between the two institutions.
It has been wonderful to witness heritage becoming a living, evolving language—one that travels across geographies, generations and cultures.


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